Aramis, or the Love of Technology, was written by French sociologist/anthropologist Bruno Latour. Aramis was originally published in French in 1993; the English translation by Catherine Porter, copyrighted in 1996, is now in its fourth edition (2002). Latour describes his text as "scientifiction," which he describes as "a hybrid genre... for a hybrid task" (p. ix). The genre includes voices of a young engineer discussing his "sociotechnological initiation," his professor's commentary which introduces Actor-network theory (ANT), field documents - including real-life interviews, and the voice of Aramis-- a failed technology ([1] p. x).

The book is a quasi-mystery, which attempts to discover who killed Aramis (personal rapid transit). Aramis was supposed to be implemented as a Personal Rapid Transit (PRT) system in Paris. Simultaneously, while investigating Aramis's demise, Latour delineates the tenets of Actor-network theory. Latour argues that the technology failed not because any particular actor killed it, but because the actors failed to sustain it through negotiation and adaptation to a changing social situation.

Bruno Latour (born 22 June 1947, Beaune, Côte-d'Or) is a French sociologist of science, anthropologist and an influential theorist in the field of Science and Technology Studies (STS). After teaching at the École des Mines de Paris (Centre de Sociologie de l'Innovation) from 1982 to 2006, he is now Professor and vice-president for research at the Institut d'études politiques de Paris (2007), where he is associated with the Centre de sociologie des organisations (CSO).

He is best known for his books We Have Never Been Modern (1991; English translation, 1993), Laboratory Life (with Steve Woolgar, 1979) and Science in Action (1987). Although his studies of scientific practice were at one time associated with social constructionist approaches to the sociology of science, Latour has diverged significantly from such approaches. Along with Michel Callon and John Law, Latour is one of the primary developers of actor-network theory (ANT), a constructionist approach influenced by the ethnomethodology of Harold Garfinkel, the generative semiotics of Greimas, and (more recently) the sociology of Durkheim's rival Gabriel Tarde.