In the town of Bacherotto, remarkable forces of faith, sex, and hunger are driving the inhabitants into uncontrollable frenzies of bizarre and unexplained behaviors. The baker Gianni Terremoto begins to knead his rolls and sourdough breads in the form of his lover's breasts. His lusty daughter, Francesca, is about to become enshrined as the new local saint. His girlfriend Lui...
In the town of Bacherotto, remarkable forces of faith, sex, and hunger are driving the inhabitants into uncontrollable frenzies of bizarre and unexplained behaviors. The baker Gianni Terremoto begins to knead his rolls and sourdough breads in the form of his lover's breasts. His lusty daughter, Francesca, is about to become enshrined as the new local saint. His girlfriend Luigi Bacheretti is intent on photographing God. The local priest is convinced that the Virgin Mary has appeared to him, demanding that his congregation renounce the flesh -- an imperative that comes shortly after two amputees stage a popular ballet recital that celebrates the leg.
These extraordinary events occur in the year when Good Friday and April Fool's Day coincide. Gainni, born on April Fool's Day Day, decides to bake a hot cross bun surpassing any that has ever been. The results -- hilarious, surprising, rejuvenating -- are beyond any that he and the townsfolk could have expected.
A brilliant story of what happens when Easter and Carnival collide and when the community becomes controlled by its libido, The Breadmaker's Carnival defies both the sacred and profane.
1955年生于悉尼,在充满乡野之趣的海边林区长大。从米切尔高等教育学院毕业后当过记者,后转投剧院从事编剧,导演与表演工作。1979年到1981年间赴巴黎求学,在著名的贾克•乐寇国际戏剧学校学习形体戏剧,并参加了乐寇的“动作研究实验室”,探索雕塑、建筑、音乐与形体之间的联系。回到悉尼后,创建“红色风暴”音乐剧团,专攻融讽刺、情色与幽默于一身的荒诞剧,社会反响热烈。其文学作品沿袭了其独特的艺术风格,充满了戏剧式的形象场景,人物情节荒诞离奇,立意深远而富有哲理。
目录完整,很有吸引力。
实在太喜欢了
哲学问题
需要静下心慢慢看